Ekaterina Panikanova | Errata corrige
Rome & St. Petersburg
I love these conceptual illustration-compilations which strive to “investigate elements of mental disorder…” See more here.
Rome & St. Petersburg
I love these conceptual illustration-compilations which strive to “investigate elements of mental disorder…” See more here.
Pyongyang, North Korea
“North Korean women are encouraged by the state to choose from one of the 18 officially sanctioned hairstyles, as shown in this display on the wall of a salon in the capital…”
(source, via Marian Bantjes)
Conservation
Conservation is a state of harmony between men and land. By land is meant all of the things on, over, or in the earth. Harmony with land is like harmony with a friend; you cannot cherish his right hand and chop off his left. That is to say, you cannot love game and hate predators; you cannot conserve the waters and waste the ranges; you cannot build the forest and mine the farm. The land is one organism. Its parts, like our own parts, compete with each other and co-operate with each other. The competitions are as much a part of the inner workings as the co-operations. You can regulate them—cautiously—but not abolish them.
The outstanding scientific discovery of the twentieth century is not television, or radio, but rather the complexity of the land organism. Only those who know the most about it can appreciate how little we know about it. The last word in ignorance is the man who says of an animal or plant: “What good is it?” If the land mechanism as a whole is good, then every part is good, whether we understand it or not. If the biota, in the course of aeons, has built something we like but do not understand, then who but a fool would discard seemingly useless parts? To keep every cog and wheel is the first precaution of intelligent tinkering.
Leopold, Aldo: Round River, Oxford University Press, New York, 1993 (Thanks to Derek Kornelson for introducing me to the works of Aldo Leopold—find more of his writings here.)
(source : Jee Eun Lee)
—The Hausa of Nigeria
—Albert Schweitzer (1875-1965)
—Le Corbusier (1887-1965)
(the lastest poster from my friend Chaz Maviyane-Davies)
Vancouver, Canada
A funeral was held today on Mount Pleasant for my poet-cousin/friend Sam W. Reimer. He will not be forgotten…
Samuel Wayne Reimer was born in Steinbach, Manitoba, Canada on 26 May, 1949, the second son of John K. Reimer and Leona Ruth Reimer. Raised on “the Bible, hymns, porridge, borscht, home-baked bread, and prayer,” he discovered Shakespeare around the age of eight by means of a copy of Hamlet found in his grandmother’s basement. As he put it, “this confirmed my life-long passion for ‘the Word Over All,’ as the Beatles (John Lennon in particular) would do again a half dozen years later.”
In 1964 his family moved to Meade, Kansas, where Sam lived until 1968—“just long enough to be eligible for the Vietnam War and the draft”— an entitlement that caused him to “skip back home” to Winnipeg. Sundry jobs held him in Manitoba for a year or two (Winnipeg Supply & Fuel Company, & Canada Dry offices, etc.) before the happening zeitgeist of “tuning in, turning on, dropping out” swept him west to the BC coast (en route to San Francisco). In Vancouver, a ‘Jesus Rediscovered’ experience and a sojourn with Dave Milton at The House of Daniel would deeply influence his life-course.
Sam married Elizabeth St. John in 1970, a union that would bear a daughter, Jennifer, and a son, Dylan. A stint of writing for Maranatha Free Press in Vancouver predated a 1976 move with kids in tow to Mission, BC, then to the mountainous country of Robson Valley, with spells of work as railway section-crew and in a plywood-veneer plant. A short-lived teaching role in creative writing followed, via Fraser Valley College’s Community Education program— two complete semesters with students aged 18–80! Then it was back to the urban setting of Vancouver, a separation in 1981, and a divorce in 1984.
Since 1987, Sam lived on his own in the Ivanhoe Apartments in Vancouver, where he penned literally thousands of poems. In 2008, a collection of 200 of his works was published in the book Gray Matter Graffitti.
Sam passed away peacefully at Vancouver General Hospital in the early hours of 26 April, 2013, with family members by his side. He is survived by his daughter Jennifer (Kaleeg) Hainsworth; son Dylan (Tonya) Reimer; granddaughters Ella, Huelwen, and Bridget Hainsworth; father John K. Reimer; brothers David (Katy) Reimer and Rod (Deborah) Reimer; sisters Lucille (Jim) Pfeifer and Arvella (Mike) Lucas. Sam was predeceased by his mother Leona Reimer.