Jean Jullien’s instant iconic response…

Thanks Chaz.

Berlin, Germany

Storytelling giant Christoph Niemann never disappoints…

(-: original image source unknown)

Shenzhen, China

One of 2014’s highlights for me was to participate in The Look of Silk, (The First Session of Cross Strait Silk Culture and Creativity Forum and International Silk Creative Design Expo) sponsored by China Tong Yuan Co., Ltd., Shenzhen China Silk Park, and the Taiwan Cultural and Creative Industry Association.

As one of “eight internationally renowned designers” I was invited to design a pattern for silk scarves, participate in the 5-day event in Shenzhen, and to give a keynote address. A design team from Taiwan was commissioned to develop 80 different silk products using our designs, “creating a systematically multicultural design integrating multiple aspects.”

The Look of Silk plans to “keep alive the spirit of traditional Chinese culture and the international role played by silk in the past, while creating a brand image and market orientation for Chinese silk” by means of innovative creative activities.

I recently received images from the organizers of my silk design applied to various products (from bed linens to ties, cushions, padded laptop cases, and other fashion accessories). Shown above is a small sampling… my original design was in oranges and reds, but the product design team decided to also iterate it in blue and green.

Click on the image below or here for a larger view of my silk pattern design (135mm x 135mm) entitled Occidental Habitué. Details of the design can be viewed at my original blog post, here. 

Occidental Habitué

Thousands of icons, images, and visual impressions cross our consciousness daily, weaving rich cultural narratives and imbuing meaningful memories. As travellers, émigrés, and nomads in a shrinking world we wrap ourselves in layers of sensuous, intertwined experience.

My concept involves the creation of an intentionally layered, quirky, and semi-random collage, providing unexpected juxtapositions that draw in the viewer and then reward curiosity with serendipitous surprises of simultaneity. Ancient meets modern, complex collides with simple, small bests large.

Luminous color acts as a background for layered, multidirectional, copyright-free imagery from earlier eras — visual ephemera, linear diagrams, Victorian etchings, old prints, ornaments, printers’ spot illustrations, ad cuts, and clip art — from ancient cave paintings to art deco elements, from flora and fauna to whimsical human inventions.

As if floating above this nuanced visual composition, a repeating directional diamond pattern of contemporary symbols and info-graphic icons (from The Noun Project, an online “visual language” resource of icons created by a global community) lends added dimension, with icons varying in color in a top-to-bottom gradation, complementary to the hue of the background.

A symbol of the globe glows in the fabric’s center.

© 2014 Robert L. Peters

Montréal, Quebec

After a 5-year hiatus, Netdiver has rebooted its tradition of revisiting the past year of design news to choose projects that stand out “for their originality, quality, and inspirational value.”

Shown above is a tiny sampling — see much more at BOTY 14.

Thanks, Carole Guevin.

(somewhere in the post-apocolyptic North)

“When linguists talk about the historical relationship between languages, they use a tree metaphor. An ancient source (say, Indo-European) has various branches (e.g., Romance, Germanic), which themselves have branches (West Germanic, North Germanic), which feed into specific languages (Swedish, Danish, Norwegian).”

“Lessons on language families are often illustrated with a simple tree diagram that has all the information but lacks imagination. There’s no reason linguistics has to be so visually uninspiring. Minna Sundberg, creator of the webcomic Stand Still. Stay Silent, a story set in a lushly imagined post-apocalyptic Nordic world, has drawn the antidote to the boring linguistic tree diagram.”

Access the full-size diagram here. (Source).

Seattle, USA

Project Thirty-Three celebrates “vintage record jackets that convey their message with only simple shapes and typography… a personal collection and shrine to circles and dots, squares and rectangles, and triangles, and the designers that make these shapes come to life on album covers.”

Thanks to Filip Spagnoli for the cartoon…

Kagoshima, Japan

For nearly four years, Japanese artist Tanaka Tatsuya‘s daily to-do list has included creating and photographing a mini-diorama comprised of miniature figurines and everyday objects… part of his Miniature Calendar project.

See more here and here. Thanks to friend Sherry Ducharme for the links. (-: